Bibliography

2015
“Painting Beyond Pollock,” by Morgan Falconer, Phaidon, London, England
“Painters on Painting,“Blog created by Julie Heffernan and Virginia Wagner
“Pintores Argentinos – Fabián Marcaccio,” Nacion, Buenos Aires, Argentina

2014
“Fabian Marcaccio: Variants,” Ediciones Polígrafa, Barcelona Spain

2012
“Paintant Report,” Fluor: Magazine on Contemporary Culture Proyectos Utopicos SL, Madrid, Spain
“Some USA Stories,” Krefeld Kunstmuseen, Krefeld Germany
Diacono, Mario “Archetypes and Historicity: Painting and Other Radical Forms,” Silvana Editoriale: Milan.

2011
“Moscow Biennale of Contemporary Art” Institute of Contemporary Art, Moscow
“Kunstlerwettbewerb: Dokumentation” Kolner Verkehrs-Betriebe AG, Koln, Germany
Fabian Marcaccio: The Structural Canvas Paintants” Catalog for George Kolbe Museum, Bernhard Heileger Award for Sculpture, Berlin, Germany.
“Black Hole $ Paintant,” Art Journal, winter 2010, p. 48. Magazine art piece, curated by Katy Siegel.

2010
“The Open Mind: Celebrating 10 Years at the Kunstmuseum Liechtenstein” Friedeman Malsch.

2009
Godrey, Tony Painting Today Phaidon Press, London England.

2008
Meyer-stoll, Christiane ed. Sammlung Rolf Ricke/Rolf Ricke Collection Kunstmuseum Liechtenstein, Liechtenstein.
Rappolt, Mark, ed. Greg Lynn: Form Rizzoli, NY

2007
Puntos de Vista, Museum Bochum, Germany.
Moscow Biennal of Contempoary Art Art Star Books, Moscow, Russia.
Laudanno, Claudio “The complexity incarnated in Fabian Marcaccio’s Paintants” Arte al Dia, #120 August/September

2006
Baul, Kelly and Annette Di Meo Carlozzi eds.American Art Since 1900 Blanton Museum of Art, Univ. of Texas, Austin..
Enwezor, Okwui The Unhomely: Phantom Scenes in Global Society 2nd Intl. Biennial of Contemporary Art of Seville, Spain.
Vergne, Jean-Charles, vous etes ici Fonds Regional d’Arte Contemporain, Auvergne, France. . ard Press Eds, Lenox, MA. .
Public Image: Painting the City, Fundament Foundation, Tilburg, Germany.
Broken Surface Sabine Knust Matthias Kunz Ed, Munchen, Germansy.
“Art: Unlimited” MCH Messe Schweiz, Basel, Switzerland.
The Hours: Visual Art of Contemporary Latin America Irish Museum of Modern Art, Dublin Ireland.
Olivares, Rosa ed. 100 Latin American Artists Exit Publicaciones: Madrid, Spain

2005
Vergne, Jean-Michel, Paintant Archeology, FRAC Auvergne Clermont-Ferrand, France, Ausstellungskatalog
Meyer-Stoll, Christiane; Panera Cuevas, Javier, From Altered Paintings to Paintants, Kunstmuseum Liechtenstein, Liechtenstein; DA 2, Domus Artium 2002, Salamanca, Spain, Ausstellungskatalog
Lopez Anaya, Jorg Arte Argentino: Cuatro Siglos de Historia 1600-2000 Emece Editores: Buenos Aires, Argentina.

2004
Marcaccio, Fabian; Meyer-Stoll, Christiane, 661 Conjectures For a New Paint Management, 1989-2004, Kunstmuseum Liechtenstein, Liechtenstein, Ausstellungskatalog
Monica Amor, “Preview: Fabian Marcaccio , Kunstmuseum Liechtenstein,” in: Artforum, September, p. 128
Siegel, Katy, Art Works: Money, Thames & Hudson, NY.

2003
Lynn, Greg, Intricacy, ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Yale University Art Gallery, New Haven, CT, Ausstellungskatalog
Princenthal, Nancy Art in America, “Fabian Marcaccio: Paintant’s Progress”, Jan.; pp.62-65, 119 Heingartner, Douglas, “Fabian Marcaccio”, Frieze, Ausgabe / Issue 79, Nov-Dec, pp.100-101
Siegel, Katy, “Fabian Marcaccio: Talks about Confine Paintant, 2003”, in: Artforum, Nov, pp.150-151

2002
Vitamin P, New Perspectives in Painting, project editor Valerie Breuvart, published by Phaidon Press Limited; pp. 202-205
Eleey, Peter Frieze, “Painting Report, PS1 Contemporary Art Center, NY” Nov-Dec.; pp.105-106
unsigned Flash Art, “Focus Painting Part II, Contemporary Painting Today” Nov.-Dec.; p.86
Smith, Roberta The New York Times, “Cracking the Same Mold With Different Results” 15 Nov. p.E38
Holmes, A.M. Vanity Fair, “Brush With Destiny”, September, p. 186
Katzenstein, Inés Art Nexus, “Fabián Marcaccio; The Current State of Political Painting” Oct.-Dec. pp.58-62
Robinson, Walter. www.artnet.com, “Weekend Update”, 23 July
Levin, Kim. The Village Voice, “The CNN Documenta”, 9 July; p.57
Galloway, David. International Herald Tribune, “The Silence is Broken in Kassel”, 15-16 June; p.6
Schwarze, Dirk. Sonntags Zeit (Germany), “Rau: Besuch der documenta lohnt sich”, 9 June (front page)
Perez, Luis Francisco. Lapiz, Fabian Marcaccio, Junen Molina, Angela. El Pais, “Trementina y dolor”, 18 May
Oliveras, Jaume Vidal. Arte y Parte, “Fabian Marcaccio”, May
Moreno, Jean. Art Papers, “The Virtues of Corruption; An Interview with Fabian Marcaccio”, April
Volk, Gregory. Art in America, “Report from Istanbul”, March, pp.42-45, 47
Moreno, Gean. Flash Art, “Reviews: Fabian Marcaccio at Kevin Bruk”, Jan.-Feb., p.97
Ryan, David. “Talking Painting: Dialogues with 12 Contemporary Abstract Painters,” Routledge:NY

2001
Klein, Lee. NYArts,”No I[n]stant[t]bulshit: Lee Klein @ the Turkish “Bienal” Part One”, Nov, pp.31-33
Seidel, Martin. Kunstforum, “Fabian Marcaccio: Paintant Stories”, June-July, pp.372-373
Koerver, Jens Peter. Kölner Stadt Anzeiger, “Review: Kölnischer Kunstverein”, 28-29 April; p.39
Von Uschi, Baetz. Kölnische Rundschau, “Grellbuntes Geflecht drängt nach draussen”, 27 April
Muschamp, Herbert. The New York Times, “Ideals Made of Paper and the Impact of the Unbuilt, 11 March; p.AR 34
Levy, Daniel S. Time, “Suite Fantastique: The Wexner Center, Columbus OH”, 29 Jan

2000
Wagner, Thomas. Frankfurter Allgemeine Zeitung, “Eine Malerei des Paradoxons:..(review), 14 Nov, p.60
Volk, Gregory. Art in America, “Fabian Marcaccio”, April, p.150
Glueck, Grace. The New York Times, “Six Abstract Artists at the Millennium”, 18 Feb.
Thorston, Alice The Kansas City Star, “Painter Fabian Marcaccio: Beyond the Brush”, 13 Feb.
Sheets, Hilarie M. Artnews, “Fabian Marcaccio”, Feb.
unsigned. Art on Paper, “The Big Print”, January-February, p.24
Humphrey, David. Art Issues, “New York, e-mail”, January-February, pp.40-41
“Escultura Y Memoria” Unversidad de Buenos Aires, Argentina.

1999
Carlos Basualdo, ” Cream”, Essay, Phaidon, London
Elizabeth Haglund, “Unprivelaged Space”, Essay, exhibition catalog
Raphael Rubenstein, “Unprivelaged Space”, Essay, exhibition catalog

1998
Reinaldo Laddaga, ” Con-jecto Argentina”, Essay, exhibition catalog
Carlos Basualdo, “Con-jecto Argentina”, Essay, exhibition catalog
Saul Anton, “Inform at Bravin Post Lee.” art/text, March 1998
Ines Katzenstein, “Anatomia de la Pintura”, Elle, March 1998
“Eine Arena der schrillen Synthesen”, Kolner Stadt-Anzeiger, June 1998
Eva Grinstein, “Un heterogeneo conjunto de obras”, El Cronista, March 1998
Enrique Juncosa, “La Pintura Teorica de Marcaccio”, April 1998
Angela Molina, “Marcaccio no es Masaccio”, ABC Cataluna, April 1998
Marin Medina, “Fabian Marcaccio, Pintura en Expansion”, ABC de las Artes, April 1998
Ricardo Barnatan, “Salir del Gueto”, El Mundo, April 1998
Fabian Lebenglik, “Las Mutaciones de la Pintura”, March 199

1997
Raphael Rubenstein, “Le sens plastique de la peinture”, Essay, Pratiques Abstraites, College International de Philosophie
Christine Buci-Glucksman, “Vers une post- abstraction?”, Essay, Pratiques Abstraites.
College International de Philosophie
Carlos Basualdo, “Tiendas de Guerra”, Art Nexus – April/June #24.
Raphael Rubenstein, “Abstraction out of Bounds”, Art in America – Nov. #11.
Barry Schwabsky, Catalogue Essay, “New York”, Gallery F15, Jeloy, Norway
Eleonora Traficante, Catalogue Essay, “De Visiones y De Ritmos”, Rosario, Argentina.
Raphael Rubenstein, “Quatre Modulations”, Book Essay, Peintures Croisees, L’Harmattan, Paris
Howard Risatti. “Fabian Marcaccio at Baumgartner Galleries”, ArtForum, Summer 1997
Roberta Smith, “In-Form at Bravin Post Lee Gallery”, The New York Times, July 1997
Roberta Smith, “More Spacious and Gracious, Yet Still Funky At Heart”, The New York Times, October 1997
Janet Wilson, “Fabian Marcaccio at Baumgartner”, ARTnews, June 1997
David Moos, Catalogue Essay, “Theories of the Decorative: Abstraction and Ornament in Contemporary Painting”, Royal Botanic garden, Edinburgh, Scotland, UK
Andrew Benjiman, Book Essay, What is Abstractions, Academy Editions, London, UK
Saul Ostrow, Catalogue Essay, “More Part to the Whole: Revised and Reformed”, After the Fall,, Snug Harbor Cultural Center, Staten Island, New York.
Howard Risatti, Review, “Paintants”, Baumgartner Galleries Inc., ArtForum #10
Eleanor Moretta, Brochure, “Photographism in Painting”, Pratt Manhatten Gallery, New York.

1996
Smith, Roberta, Review, “Painting Outside Painting” Corcoran Gallery, The New York Times.
Jhim Lamoree, Review, Barbara Farber, Flash Art – #191 Nov., Amsterdam, Netherlands
Abigail Easman, Review, Barbara Farber, Art Nexus # 22
Saul Ostrow, Review, “Painting Outside Painting” Corcoran Gallery, The New Art Examiner, March
Milazzo, Richard, “The New York Art Scene”, Tema Celeste # 56
Risatti, Howard, Art Forum, review of Outside Painting” The Corcoran Gallery
Cristine Temin, review of “Face to Face”, MIT List Art Center, The Boston Globe May 7
Mary Sherman, review of “Face to Face”, MIT List Art Center, The Boston Herald, April 28
Shawn Hill, “Driven to abstraction”, review of “Face to Face”, The Tab, April 23-29
Jeremy Gilbert-Rolfe, Cabbages, Raspberries, and Video’s Thin Brightness,
Painting in the Age of Artificial Intelligence, Art & Design, # 48
David Moos Architecture of the Mind, Machine Intelligence and Abstract Painting, Art & design, # 48

1995
Trans Arts.Cultures.Media, Artist’s Project, Page 17-24 and back cover. Premier Issue.
Pagel, David, “Paradox Adds Strength to `Paint-Zone'”, Los Angeles Times, Thursday, November 9. Page F-4
Benjamin, Andrew, “Fabian Marcaccio: Rehearsing Complex Painting”, Journal of
Philosophy and The Visual Arts, Issue #6, Page 45
Rubinstein, Raphael, “On Target”, Art in America, May
Karcher, Eva, “Malerie – Ein Pardoxes Netzwerk, Art, May. Page 67
Caminos, Ximena, “Fabian Marcaccio. La Pintura Como Espacio Teorico”, ArtINF, Spring, 1995, Page 15

1994
Carrier, David, “Fine Young Cannibal: Fabian Marcaccio,” Art Forum, September, Page 84
Levine, Angela, “Abstract From America,” The Jerusalem Post
Rubinstein, Raphael, “Private Eyes,” Art News, February, Page 89
Rubinstein, Raphael, “Abstraction In A Changing Environment; An Interview with Fabian Marcaccio”, Art In America, October, Pg. 102
Moos, David, “What you can do for Pop to What Pop Can do For You,” Art & Text, January #47, page 42
Sheffi, Smadar, “Promisaary Notes,” review, Ha’aretz Daily
Hofleitner, Johanna, “Conditional Painting,” Flash Art, May/June, Page 123
Saltz, Jerry, “A Year in The Life: Tropic of Painting”, Art In America, Oct., Page 99
Jorge Glusberg, “Marcaccio Aataca ‘el absurdo del discurso racionalista'”, Ambito Financiero February. Page 2

1993
Ebony, David, Review, Art in America, October. Page 136
Drolet, Owen, Flash Art, review, June. Page 86
Schwabsky, Barry, Review, Artforum, Summer. Page 109
Smith, Roberta, Review, The New York Times, March 19.
Curto, Guido. “Teddy and Other Stories at Claudio Botello and In Arco Turin”, Flash Art, (Italian Edition), April
Kottman, Pieter. “Marcaccio laat delen Schilderj Ontsnappen” NRC Handelsblad, May 25.
Lamoree, Jhim. “Beheerste Rampen”, Kunst Genot, May 28. Page 86
Kahn, Eve. “The Next Generation”, Art & Auction, April
Mercuri, Bernardo. “Teddy and Other Stories”, Tema Celeste Page 75
The New Yorker ,”Goings on About Town” March 29.
Pinchback, Daniel. “Openings”, Art & Antiques, March
Fleming, Lee., “Summer show at Baumgartner”, The Washington Post, August 7.
McWilliams, Martha, “Signifying Something”, Washington City Paper
Ianacci, Anthony, “Tool Box”, Segno, May/June, Page 54

1992
Adams, Brook. “Slow Art at P.S.1”, Art in America, October
Kaneda, Shirley. “Profiles and Positions: An Interview with Fabian Marcaccio”, Bomb Magazine, Fall. Page 12
Mahoney, Robert. “Fabian Marcaccio and Daniel Wiener”, Arts Mag., April. Page 92
Tager, Alisa. “Fabian Marcaccio and Daniel Wiener”, Tema Celeste, Spring. April/May, #35 Page 93
Rubinstein, Meyer Raphael “Fabian Marcaccio and Daniel Wiener”, Flash Art, Summer.
Morsiani, Paola. “New York”, Juliet, April-May
Smith, Roberta. “Group Show”, The New York Times, June 26.
The New Yorker, “Goings on About Town”, August 3.
Kolner Stadt-Unzeiger, “Tips und Termine”, June 12.
Collins & Milazzo. “Fabian Marcaccio: A Talk with Collins & Milazzo (Doubletalk)”, Tema Celeste, Fall. #32/33 Page 93
Compitelli, Maria. “The Post-Dialectical Index”, Sala Comunale Palazzo Costanzi, Trieste, Italy; Lattuada Studio, Milan, Italy; Horodner Romley Gallery, New York. .(cat.)
Hirsch, Faye. Book Reviews, Print Collector’s News Letter, review of John Post Lee Volume 2

SELECTED CATALOGUES

Vergne, Jean-Charles, “Fabian Marcaccio – Paintant Archeology”, FRAC Auvergne, Clermont-Ferrand 2005

Meyer-Stoll, Christiane; Panera Cuevas, Javier, “From Altered Paintings to Paintants”, Kunstmuseum Liechtenstein, Liechtenstein; DA 2, Domus Artium 2002, Salamanca, Spain, Ausstellungskatalog 2004

Marcaccio, Fabian; Meyer-Stoll, Christiane, “661 Conjectures For a New Paint Management, 1989-2004”, Kunstmuseum Liechtenstein, Liechtenstein, Ausstellungskatalog 2004

Lynn, Greg, “Intricacy”, ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Yale University Art Gallery, New Haven, CT, Ausstellungskatalog 2003

Goetz, Ingvild and Meyer-Stoll, Christiane, “Fabian Marcaccio, Jessica Stockholder”, Sammlung Goetz, Munich 1998

Beyt, Mary, “Alice’s Looking Glass”, Apex Art, New York 1996.

Krane, Susan, “Tampering”, The High Museum of Art, Atlanta, GA (brochure) 1995.

Moos, David, “Architecture of The Mind”, Galerie Barbara Farber, (exhibition curated by David Moos, Afterword by Philip David Zelazo, May 1995.

Moos, David, “Outside You”, Baumgartner Gallery, Washington, D.C. 1995

Beatrice, L. and Perrella, C., “Teddy and Other Stories”, Claudio Bottello Arte & Galleria In Arco, Turin, Italy 1993.

Collins & Milazzo, “Needlepoint, Embroidery, Macrame and Crochet,” Postmasters Gallery, New York, NY 1993.

Iannacci, Anthony, “Toolbox”, Studio La Citta, Verona, Italy 1993.

Ottman, Klaus, “Irony & Ecstasy”, Salama-Caro Gallery, London 1993.

Schwabsky, Barry, “Fabian Marcaccio”, Barbara Farber Gallery, Amsterdam 1993.

Paparoni, Demetrio, “Italia-America: L’astrazione Ridefinita”, Galeria Nazionale d’Arte Moderna, San Masini, Italy 1993.

Collins & Milazzo, “Theoretically Yours”, Museum of the Region of Aosta, Italy 1992.

Rubell, Jason, “Inter-Painting”, Jason Rubell Gallery, Palm Beach, Florida 1992.

Rubinstein, Meyer Raphael, “The Altered Genetics of Painting”, John Post Lee Gallery Publication Volume 2. 1992

Morgan, Robert, “The Post Dialectical Index”, Sala Comunale Palazzo Costanzi, Trieste, Italy, Lattuada Studio,

Milan, Horodner Romley Gallery, NY 1992

Laddaga, Reinaldo, Fabian Marcaccio, Jacob Karpio Gallery, Costa Rica